Big Brother House of Horror

I don’t think I’ve mentioned Writers’ Block here yet, which is odd cos it’s pretty much taken over my life recently. It’s a project for Tees Valley writers, we run workshops, events, competitions and try and get peoples’ work off the page and into performance or film or zine or whatnot. It’s why I am never home, ever. Good job it’s fun…

Anyway, this was a competition prize: get your script made into a puppet film. We had no idea what the puppets would be like when we asked local student Russel Watson to make us some horror characters for Ian Todd’s script, so I was absolutely blown away when he arrived carrying… these. Amazing.

We filmed it very quickly indeed, in the hottest room in the world. I think it has a manic energy, and I enjoyed talking to myself playing Freddie and Jason.

I made the special guest housemate, too. Took ages.

More info on Writers’ Block here: http://www.facebook.com/WritersBlockNE

Notes From Chris

Todd Lamb is a writer, director and artist based in New York. He sometimes leaves notes round the city purportedly from a man called Chris. The Notes From Chris are odd and charming, and I can only imagine they brighten the day of anybody who finds them. So… are you thinking what I’m thinking? I mean, not that, but something like that…

My Night With Terry Gilliam

If you imagine the microphone is a glass of champagne and that I am standing nearby and that Terry Gilliam is within spitting distance then this is an exact recreation of part of this story.

Earlier this month I was lucky enough to win NFM’s 30 second film competition, with a short cartoon about a talking vegetable. This just goes to show that it’s good to have a short cartoon about a talking vegetable handy for occasions such as this. The prize was an all-expenses-paid trip to London to attend the National Film and Television School Great British Comedy Event in London on the 8th of June.

I didn’t know much about the event, except that Terry Gilliam would be there, and now so would I. The chance to be in the same room as Terry Gilliam! I might meet him! What would I do? Perhaps I could shout over: “Keep making those films, Terry!” as a form of encouragement, or if I got a bit closer perhaps I could kiss him. I wasn’t making any firm plans as I sat daydreaming on the train journey there, but it is good to think through various contingencies just in case.

I got to the hotel and put on my suit: black shirt, black tie. I was looking swish! A friendly thank-you kiss from a swish-looking man would mean more to Mr Gilliam, I thought, so I was really making an effort.

What I didn’t realise until I got to the venue was that I was entering comedy celebrity heaven. There were Charlie Brooker, Adrian Edmondson and Jennifer Saunders milling around at the entrance. This was a bit overwhelming, if I’m honest. The Comic Strip were my punk rock in the 1980’s – comedy heroes and a lifelong inspiration. I caught my breath, wiped away a single tear and walked round the corner to find myself in the midst of a living Heat magazine photo spread. Celebrities everywhere, standing around and chatting in the evening sun outside Billingsgate Market, surrounded by some very swish-looking waiting staff handing out free champagne. It was very glamourous. The staff really were looking swish. Exactly as swish as me, in fact: they were wearing black shirts and black ties too. Luckily I was wearing a jacket, which at least meant I looked like I might be in charge of them.

I wandered round in a bit of a daze. I hadn’t eaten yet, at all, so I figured I’d best go easy on the champagne, but I am from the North and so genetically programmed to say “yes please” every time someone asks “would you like a top-up?”, just in case they don’t ask again. They asked a lot of times, as it happens, but I wasn’t to know that.

I saw Terry Jones and Michael Palin walking around as though they were mere humans. I saw Paul Merton and Ian Hislop. I saw Nick Ross. I saw what probably used to be Anne Robinson but is now a kind of plastic, smiling cyborg. I stood next to Duncan Bannatyne because someone once told me I looked like him. We have similar hair but he was not looking as swish as me. I shook hands with Daily Mail showbiz reporter and film reviewer Baz Bamigboye because it seemed like a funny thing to do at the time.

About 10 minutes in I was suffering a bit from jaw-drop fatigue and so decided it was probably time for a cigarette. Now, cigarettes are VERY BAD FOR YOU INDEED, I know that, you don’t have to tell me that, but all I will say is that if I hadn’t sat down for a ciggie in the middle of this swanky soiree I would never have got chatting to Jo Brand. And because I got chatting with Jo Brand I suddenly felt like I was part of the party. Lots of people wanted to talk to Jo Brand, and politeness meant they had to talk to me too. Which is how I got a little kiss off Claire Balding, got to tell Rebecca Front that she is awesome and made some suggestions to the Head of Sky One about US comedy shows he should take a look at. He asked how to spell “Xavier: Renegade Angel” and “Wonder Showzen” as he typed them into his Blackberry. Yeah, boy! For 45 minutes before dinner I was a player. Jo Brand told everybody we were having an affair. I’m pretty sure we’re not, but then celebrities do things differently to us so who knows, maybe we are? Even if we’re not, I have to say a big “thank you” to her because she was just bloody lovely and friendly and made me feel like I belonged there.

The rest of the night is a bit of a blur. The food was lovely but tiny, like the pretty little babies of an actual meal. And there was wine, I remember the wine. Two or three different flavours of it, I remember that. There was a charity auction at which an original script for Life of Brian went for £10,000. Cheap, if you ask me. And the people round my table were lovely, and I accidentally did a bit of that networking stuff, so it was all good.

At some point I wandered out for another cigarette, and there, 15 metres away from me, was Mr Terry Gilliam. My heart leapt a little, it really did. He was in Monty Python and he made Time Bandits and Brazil, you know. But he was talking into his mobile phone. And then he stopped doing that and walked quickly and with determination back inside through a special deities-only door. I watched him go, then looked round to see if there was anyone else about. There was, but what the hell: I blew a little kiss after him. I had to. He was in Monty Python and he made Time Bandits and Brazil, you know.

Thank you, NFM, for a brilliant night out. I’m having an affair with Jo Brand, kind of, and I got to kiss Terry Gilliam, kind of. And I’ve learned some lessons, too: 1) keep a short cartoon featuring a talking vegetable handy at all times, 2) cigarettes are good for you 3) I don’t look like Duncan Bannatyne at all, and finally, 4) there’s a special kind of thrill that comes with leaving an event and hearing your name shouted, and you turn and it’s someone off the telly running over and asking you if you’ve enjoyed the evening. I’d tell you who it was but I don’t want to make Jo jealous.

Some Thoughts on Domestos

I did a reading as part of Middlesbrough Literary Festival on Saturday afternoon. I video’d it and I miiiiiight put it on YouTube but on the other hand maybe it would be best if I didn’t and you imagined it was packed and I was great.

Anyway, they wanted short stories and poetry so I wrote this on Saturday morning.

Some Thoughts on Domestos

Domestos! Kills 99% of germs, it’s true,
But it kills 100% of rabbits too.
They don’t put that on the bottle, do they?
Ever wonder why? No? Well, OK,
But I have, and this is what I think:
It wouldn’t sell more bottles, ‘cos if you were standing by the sink
And you glanced towards the toilet and you saw a little bunny,
Sitting in the toilet bowl all twitchy, furry, funny,
Your first reaction wouldn’t be: “Hey Audrey, get the bleach!
And not that own-brand stuff this time, I think it’s time we teach
These furry u-bend trespassers that I will not be messed with.
Get. The. Domestos.” You wouldn’t do that. I wouldn’t. Well, I did
Just once, and my toilet bowl’s been free of rabbits since,
And my sink and lino floor are clear of dirty rabbit prints.
Oh, and also? Domestos kills 100% of tigers too.
I think. You’d have to use a lot of it. (I’m banned from the zoo.)

Mitch Hedberg Joke Evolution

Two Mitch Hedberg jokes:

Spaghetti… I can’t eat spaghetti, there’s too many of them. No matter how hungry I am, 1000 of something is too many.
– Mitch Hedberg

I like rice. Rice is great if you’re really hungry and want to eat two thousand of something.
– Mitch Hedberg

So these two are pretty much the same joke, but for me the rice joke is better, and I think it’s obvious the spaghetti version mutated into the rice one at some point. Or God changed it, whichever. Anyway.

Why is the rice one better? Because…

1. The rice joke is more absurd. The spaghetti joke’s “I can’t eat two thousand of them” – well, who could?

2. The first one is not quite true enough – there aren’t 1000 bits of spaghetti in the average bowlful, but there are more likely to be 2000 bits of rice in a meal. Maybe. Look, I haven’t counted them (or if I have I’ve blocked that particular evening out of my memory) but it certainly seems likelier, doesn’t it? The closer a joke like this comes to the truth, the funnier it is.

3. The rice joke is a positive, which suits Hedberg’s free-wheeling persona more than the negative of the spaghetti version. Point of view is incredibly important when writing jokes for stand up. A different comedian with a different persona would be able to spend five minutes shouting about how he doesn’t have time to eat 2,000 of something, but Mitch was a happy-go-lucky one-liner merchant.

4. Fuck it, rice is just funnier, isn’t it?

5. It is.

Frankie Boyle vs the BBC

Every now and then, somebody in the public eye will genuinely surprise me. I think Frankie Boyle is excellent at writing jokes, but I generally find the jokes he writes to be mean-spirited and empty, relying on an “omg did he go there?” reaction from the audience for much of their effect. The recent controversy about his jokes about people with Down’s Syndrome is a case in point. I don’t know what he said, but what the hell kind of target is that? As fellow Scottish comedian Craig Ferguson once said “Comedy should be about attacking the powerful… it shouldn’t be about attacking the vulnerable.” Craig Ferguson was right.

But two years ago Boyle told a couple of jokes about Palestine on a BBC Radio 4 satire show. Jokes which the BBC have just apologised for. And below is Frankie Boyle’s response. I just read it and I think it’s the best thing he’s ever written (yes, even better than his “the Queen’s pussy is haunted” joke!).

Obviously, it feels strange to be on the moral high ground but I feel a response is required to the BBC Trust’s cowardly rebuke of my jokes about Palestine.

As always, I heard nothing from the BBC but read in a newspaper that editorial procedures would be tightened further to stop jokes with anything at all to say getting past the censors.

In case you missed it, the jokes in question are: ‘I’ve been studying Israeli Army Martial Arts. I now know 16 ways to kick a Palestinian woman in the back. People think that the Middle East is very complex but I have an analogy that sums it up quite well. If you imagine that Palestine is a big cake, well…that cake is being punched to pieces by a very angry Jew.’

I think the problem here is that the show’s producers will have thought that Israel, an aggressive, terrorist state with a nuclear arsenal was an appropriate target for satire. The Trust’s ruling is essentially a note from their line managers. It says that if you imagine that a state busily going about the destruction of an entire people is fair game, you are mistaken. Israel is out of bounds.

The BBC refused to broadcast a humanitarian appeal in 2009 to help residents of Gaza rebuild their homes. It’s tragic for such a great institution but it is now cravenly afraid of giving offence and vulnerable to any kind of well drilled lobbying.

I told the jokes on a Radio 4 show called Political Animal. That title seems to promise provocative comedy with a point of view. In practice the BBC wish to deliver the flavour of political comedy with none of the content. The most recent offering I saw was BBC Two’s The Bubble. It looked exactly like a show where funny people sat around and did jokes about the news. Except the thrust of the format was that nobody had read the papers. I can only imagine how the head of the BBC Trust must have looked watching that, grinning like Gordon Brown having his prostrate examined.

The situation in Palestine seems to be, in essence, apartheid. I grew up with the anti apartheid thing being a huge focus of debate. It really seemed to matter to everybody that other human beings were being treated in that way. We didn’t just talk about it, we did things, I remember boycotts and marches and demos all being held because we couldn’t bear that people were being treated like that.

A few years ago I watched a documentary about life in Palestine. There’s a section where a UN dignitary of some kind comes to do a photo opportunity outside a new hospital. The staff know that it communicates nothing of the real desperation of their position, so they trick her into a side ward on her way out. She ends up in a room with a child who the doctors explain is in a critical condition because they don’t have the supplies to keep treating him. She flounders, awkwardly caught in the bleak reality of the room, mouthing platitudes over a dying boy.

The filmmaker asks one of the doctors what they think the stunt will have achieved. He is suddenly angry, perhaps having just felt at first hand something he knew in the abstract. The indifference of the world. ‘She will do nothing,’ he says to the filmmaker. Then he looks into the camera and says, ‘Neither will you’.

I cried at that and promised myself that I would do something. Other than write a few stupid jokes I have not done anything. Neither have you.

Frankie Boyle

So now I really admire the ballsy bugger. I still don’t want to hear any more paedo/downs/people are ugly stuff from him, but give him a satire show where he’s allowed to go after the real bastards of this world, a show that doesn’t trade solely on “John Prescott is fat/David Cameron is a bit posh innee?” jokes, and we could maybe have our own Daily Show and that would be a grand thing.

A Complaint

Dear The BBC,

I wish to complain about a programme I have heard about/read about (delete as applicable) in the Daily Express/Daily Mail.

I was outraged to hear/read that the programme featured a gay or gays being gay/that Jonathan Ross/some blacks/a political view I disagree with/lots of tits/not enough tits/two fucks and a cunt* and I wish to whinge on like a four-year-old who has accidentally stuck its favourite bit of Lego up its bumhole.

Waaah. Waaaaaaah. Waaah.

Yrs Sincerely

————-

*Note: Two fucks and a cunt does not refer to the presenters of Top Gear, a programme which I regard as exactly the kind of thing the BBC should be making more of.

Messing With Minds. One-Man Vigilante.

Which, as a title for an interview with me, is mint but it does make me sound cooler than I really am ie not cool. I honestly don’t remember doing this interview with Mesh Magazine. In fact, I could have sworn I’d never heard of Mesh Magazine before today, but such is life when your memory is swiss-cheesed like Sam Beckett’s.

Anyway, here is an interview I suppose I must have given:

Messing With Minds. One-Man Vigilante.

It must’ve been a while ago, like last year some time, cos I didn’t try to plug The Story of Grass or anything. Have I told you about The Story of Grass, by the way? Available now, if you know where to look…

BFI Film Noir Classics

The BFI has just released a list of what it considers to be the fourteen best films in the “noir” genre. As ever with these things, there’s room for debate about some of the films included, but I don’t think there can be any disagreement about their top three. The BFI’s top 14 film noirs (here listed with their poster strap-lines) are:

1. The Dame Wore Stilts (1947)
“Meet Lola. She’s 5 foot four of pure femme fatale, plus 3 foot of wood!”

2. Bang Bang Kiss Kiss (1952)
“He knew it was the wrong way round, but dammit he liked them to lay still!”

3. Lick Me Deadly (1939)
“Mr Whippy? Mr. Shooty more like! An ice-cold con caper with a drizzling of murder sauce!”

4. Dial “T” For Ticklish (1946)
“Hee hee hee hee hee stop it!”

5. A Woman Called Trouble (1954)
“Trouble by name! Trouble by nature! What a coincidence!”

6. Noseface (1938)
“Striking back at a world that didn’t give him a very scary nickname!”

7. Kiss me! Slap Me! No Wait, I Prefer The Kissing! (1945)
“She was fairly sensible as women in these kinds of films go!”

8. Bullet For My Birthday (1953)
“He would have preferred a CAKE! But he got a BULLET! With no CANDLES even!”

9. Farewell, My Kidneys (1957)
“He loved them but they had to go!”

10. Murder O’Clock (1946)
“The big hand is on twelve, the little hand is on MAYHEM!”

11. The City Bleeds (1942)
“You’ll never find a plaster big enough!”

12. The Dangerous Danger (1955)
“You can’t HIDE from the DANGER of DANGEROUSNESS!”

13. I Married a Rabbit (1950)
“Cross! Double Cross! Triple Cross! Carrots!”

14 The Dame Wasn’t Worth The Trouble (1944)
“She was nice, but not THAT nice!”

What would YOU put at #15? Answers in the comments, buster!